Abstract
This article explores the intersection of musical composition and digital technology by using metadata derived from natural phenomena to generate musical works. It examines the methodology employed and its application in cases where meteorological data, plant data, and brain activity data serve as sources of inspiration. These data are transformed into musical compositions that range from interactive sound installations to orchestral pieces. The article concludes by highlighting current perspectives of this work in collaboration with other scientific disciplines.
Author information
Cite this article
Soledad Romay, R. (2024). Musical composition using metadata. International Conference on Dublin Core and Metadata Applications, 2024. https://doi.org/10.23106/dcmi.952450730
DOI : 10.23106/dcmi.952450730
Published
Metadata and citations of this article is published under the Creative Commons Zero
Universal Public Domain Dedication (CC0), allowing unrestricted reuse. Anyone can freely
use the metadata from DCPapers articles for any purpose without limitations.
This article full-text is published under the Creative Commons Attribution 4.0
International License (CC BY 4.0). This license allows use, sharing, adaptation,
distribution, and reproduction in any medium or format, provided that appropriate credit
is given to the original author(s) and the source is cited.